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Amanda Forsythe



Recognized internationally as a leading interpreter of Baroque and Classical repertoire, Amanda Forsythe is a regular soloist with the Chicago Symphony Orchestra, Tafelmusik, Handel and Haydn Society, Apollo’s Fire, Boston Baroque, and Boston Early Music Festival (BEMF). She has performed with The Philadelphia, Boston Symphony, Los Angeles Philharmonic, Hong Kong Philharmonic, and St. Louis Symphony orchestras, as well as the Academy of Ancient Music, Monteverdi Choir and Orchestra, Philharmonia Baroque, and Rome’s Accademia Nazionale di Santa Cecilia.

She sang Eurydice on BEMF’s 2015 Grammy-winning recording of Charpentier’s The Descent of Orpheus to the Underworld, and performed and recorded Cabri and Carmi in Mozart’s La betulia liberata with Les Talens Lyriques at Salzburg Mozartwoche. She toured Europe and the US with French countertenor Philippe Jaroussky, performing works based on the Orfeo myth, and can be heard alongside him in the 1774 version of Gluck’s Orfeo (ERATO). Alongside her recordings for BEMF and Boston Baroque, her debut solo album of Handel arias, The Power of Love with Apollo’s Fire (Avie), earned widespread critical acclaim.

Opera engagements have included Handel’s Semele (Opera Philadelphia); Mozart’s The Magic Flute (Rome, Seattle, and Berlin’s Komische Oper); Semele (Seattle); Beethoven’s Fidelio, Verdi’s Falstaff, Gluck’s Orphée, and Steffani’s Niobe (Royal Opera House, Covent Garden); Rossini’s Guillaume Tell, Il viaggio a Reims, and L’equivoco stravagante (Rossini Opera Festival, Pesaro); and Handel’s Ariodante (Geneva and Munich).

Amanda Forsythe has worked with John Eliot Gardiner, Nicholas Kraemer, Nicholas McGegan, Andris Nelsons, Antonio Pappano, Christophe Rousset, and Jaap van Zweden. In the 2023–24 season she appears with Houston Symphony Orchestra, Los Angeles Chamber Orchestra, and NDR Radiophilharmonie.

Upcoming 2023-2024 Performances

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