Very Young People's Concerts - "Building Blocks"

The New York Philharmonic

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CYO

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Calendar

Very Young People's Concerts: "Building Blocks"

Location

Merkin Hall

Directions
Price Range

$26-31

Duration

1 hour

Date & Times

3

Jun, 2018

Sunday, 12:30 PM

3

Jun, 2018

Sunday, 3:00 PM

4

Jun, 2018

Monday, 10:30 AM

Event Info

Composers build music up like stacks of blocks! Discover how music sounds when it falls over, and help us build it back up.

Learn more about Very Young People's Concerts

Program

Mozart

Flute Quartet No. 4 in A major

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Artists

Mindy Kaufman

Flute

Mindy Kaufman

Flute

Mindy Kaufman

Flute

Mindy Kaufman, The Edward and Priscilla Pilcher Chair, joined the New York Philharmonic as flute and solo piccolo in 1979 at the age of 22, after performing for three seasons with the Rochester Philharmonic Orchestra. She received a bachelor of music degree from the Eastman School of Music, where she studied with Walfrid Kujala, Bonita Boyd, and James Galway.

Ms. Kaufman has appeared as a soloist with the New York Philharmonic under former Music Directors Zubin Mehta, Kurt Masur, and Lorin Maazel. For one season she substituted as principal flute with the Milwaukee Symphony Orchestra.

Ms. Kaufman performs chamber music regularly with her colleagues in the New York Philharmonic, and has performed at the Mt. Desert Festival of Chamber Music, Moab Music Festival, Hudson Valley Performing Arts Foundation’s Chamber Music Series, Grand Teton Music Festival, Concordia Chamber Players, Brightstar Music Festival, Benifaió Music Festival, and Colorado Music Festival.

Ms. Kaufman teaches at the Shanghai Orchestra Academy. She gives master classes around the world, and has taught at Columbia University, Mannes Prep, and Juilliard Pre-College.

Ms. Kaufman recorded Avner Dorman’s Piccolo Concerto with the Metropolis Ensemble, Vivaldi’s Piccolo Concerto with New York Philharmonic, and a solo CD, French Flute Music. She has performed at the National Flute Convention, Japan Flute Convention, and the New York Flute Club. She can be heard on dozens of film soundtracks, including The Cotton Club, The Untouchables, Aladdin, Julie & Julia, and Moonrise Kingdom.

Learn more about Mindy Kaufman

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Marié Rossano

Violin

Marié Rossano

Violin

Marie Rossano

Violin

Marié Rossano joined the New York Philharmonic in May 2016. Since making her solo debut at age 11, Ms. Rossano has performed as soloist with the Seattle Symphony, Utah Symphony, Northwest Sinfonietta, and more than a dozen other orchestras in the western United States. In 2015 she performed as concertmaster of the Malaysian Philharmonic under Giancarlo Guerrero and Fabio Luisi. She has enjoyed summer engagements at the Seattle Chamber Music Society Summer Festival, Strings Music Festival, Music From Angel Fire, Deer Valley Music Festival, and Methow Valley Music Festival, and has also performed at Keshet Eilon Violin Mastercourse, Verbier Festival Academy, and Starling-DeLay Symposia.

Ms. Rossano performed on the 1715 “Baron Knoop” Stradivarius violin in the 2010 PBS documentary Violin Masters: Two Gentlemen of Cremona, courtesy of the Fulton Collection. She was named First Laureate of the 2010 Stradivarius International Violin Competition and National Winner of the Music Teachers National Association 2008 Junior Strings Competition; she was also awarded the 2005 Seattle Young Artists Festival Medal and the Music of Remembrance David Tonkonogui Memorial Award in 2008.

Marié Rossano studied with Ida Kavafian and Joseph Silverstein at the Curtis Institute of Music, where she graduated in May 2016 with a bachelor’s of music and the 2016 Edward Aldwell Award for Excellence in Musical Studies, and was recognized on the Dean’s List for excellence in academics. While at Curtis, she performed in the 2015 Dean’s Honors Recitals and the 2015 Beethoven Residency with Miriam Fried and Jonathan Biss, and toured worldwide with Curtis on Tour on multiple occasions as a soloist, chamber musician (including at the 2014 Henry Kissinger Award Ceremony in Berlin), and concertmaster of the Curtis Chamber Orchestra with Roberto Díaz and Robert Spano. Ms. Rossano also performed under the baton of conductors Rossen Milanov, Yannick Nézet-Séguin, Robert Spano, and Osmo Vänska, as concertmaster of the Curtis Symphony Orchestra in 2015.

Ms. Rossano was born in Japan and raised in the Seattle area. In 2009 she founded Orcastra, a small, flexible, conductor-less string ensemble that has organized community engagement and charity concerts in the Seattle and Philadelphia areas, raising tens of thousands of dollars for tsunami victims in Japan and the impoverished in Tanzania and Guatemala.

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Rémi Pelletier

Viola

Rémi Pelletier

Viola

Pelletier

Viola

Rémi Pelletier joined the New York Philharmonic’s viola section in July 2013, having served in the Montreal Symphony Orchestra beginning in 2007. Previously, he was a regular substitute with The Philadelphia Orchestra and performed with The Haddonfield Symphony and Orchestre Métropolitain du Grand Montréal. He served as guest principal viola of the International Orchestra of Italy in the summers of 2011 and 2012, principal viola of Japan’s Pacific Music Festival, and assistant principal of the New York String Orchestra Seminar.

An active chamber musician, Mr. Pelletier was a regular guest at the Société de musique de chambre de Québec and performed with Rendez-vous musical de Laterrière and Musica Camerata, as well as with the Montreal Symphony Orchestra’s chamber music series. His honors include the CBC/McGill Music Award (2003) as well as first prize at the Concours du Québec and Canada’s National Music Festival Competition.

A native of Québec, Mr. Pelletier was a scholarship recipient at Encore School for Strings and the Orford Arts Centre. He performed a recital on the Canadian Broadcasting Company’s Debut Series. In addition to attending master classes with Kim Kashkashian, Roberto Diaz, and others, Rémi Pelletier studied with Michael Tree and Joseph De Pasquale at The Curtis Institute of Music, and with André Roy at McGill University, from which he graduated with the distinction of Outstanding Achievement in Viola Performance and where he was principal viola of the McGill Symphony Orchestra.

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Patrick Jee

Cello

Patrick Jee

Cello

Patrick Jee

Cello

Cellist Patrick Jee joined the New York Philharmonic in July 2013. A native New Yorker, he has toured extensively in the United States, Europe, and Asia, making appearances at New York’s Alice Tully Hall and Carnegie Hall, the Kennedy Center in Washington, D.C., London’s Wigmore Hall, Paris’s Salle Gaveau, and the Seoul Arts Center. He also performed on CNN’s American Morning as well as at the United Nations at the commemoration of the 50th anniversary of the Korean War armistice.

As a soloist, he has performed with the Buffalo and Rochester Philharmonic orchestras, Moscow Chamber Orchestra, National Orchestra of Toulouse, Edmonton Symphony, and the Orchestre National d’Île de France. He has been a guest artist at major music festivals including Aspen, Banff, Caramoor, Casals, Kneisel Hall, La Jolla, and Olympic.

In 2006 Mr. Jee was the Grand Prize winner of the Carlos Prieto International Cello Competition, which earned him concerts throughout Mexico and a recording contract with Naxos’s subsidiary, Urtext Digital Classics. He has also won top awards at the Andre Navarra International Cello Competition, the Holland-America Music Society Cello Competition, and the Irving Klein String Competition.

An avid chamber musician, he is a member of the New Piano Trio, winners of the 2008 Fischoff, 2007 Coleman, and 2007 Plowman chamber music competitions and recipient of the Harvard Musical Association’s Arthur W. Foote Prize. Since 2001 he has performed with Sejong Soloists, collaborating with artists such as Barry Douglas, Vladimir Feltsman, Lynn Harrell, Cho-Liang Lin, and Gil Shaham. As a founding member of Ensemble Ditto, he helped introduce more than 15,000 people to chamber music as South Korea’s most popular classical musical presentation of 2008.

Before joining the New York Philharmonic, Patrick Jee served as assistant principal cello of the Lyric Opera of Chicago, principal cello of the Grant Park Orchestra, and was on faculty at Roosevelt University-Chicago College of Performing Arts. His transcription of Glazunov’s Meditation, published by International Music Company (IMC), recently won First Prize from the Music Publishers Association’s Paul Revere Awards, and his transcription of Corelli’s La Folia Variations will be released by IMC in 2013.  

Mr. Jee holds a bachelor of music from The Juilliard School and a master of music from Yale University, where he studied with Aldo Parisot. He can be heard on the Albany, Urtext, and HM record labels.

He resides on the Upper West Side with his wife, violinist Nanae Iwata, and is an ardent New York Yankees fan.

Learn more about Patrick Jee

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Rebecca Young

Host

Rebecca Young

Host

Rebecca Young

Host

Rebecca Young joined the New York Philharmonic in 1986 as its youngest member. In 1991 she won the position of Associate Principal Viola. Two months later she was named principal viola of the Boston Symphony Orchestra. After spending the 1992–93 season in Boston and two summers at Tanglewood, she ultimately decided to return to her family in New York, resuming her Associate Principal position with the Philharmonic in September 1994. She can currently be seen leading the viola section of the All-Star Orchestra, a popular televised educational series about classical music.

An avid chamber musician, Ms. Young has performed with many renowned groups, including the Boston Chamber Music Society, Boston Symphony Chamber Players, New York Philharmonic Ensembles, and The Chamber Music Society of Lincoln Center. She can be heard in a recording of Schubert’s Trout Quintet with cellist Yo-Yo Ma, pianist Emanuel Ax, violinist Pamela Frank, and bass player Edgar Meyer on the Sony Classical label.

In the spring of 1999 Ms. Young joined Philharmonic Principal Viola Cynthia Phelps in the World Premiere of Sofia Gubaidulina’s Two Paths: Music for Two Solo Violas and Symphony Orchestra with the Philharmonic. The work was commissioned for them by Tomoko Masur, wife of Philharmonic Music Director Emeritus Kurt Masur and herself a former violist. The two performed it at Avery Fisher Hall, in Washington, D.C., and again during the Orchestra’s subsequent tour of the Canary Islands, Spain, and Portugal, as well as the Europe 2000 Tour, and again in April 2011, at Avery Fisher Hall. Ms. Young is a graduate of The Juilliard School.

Ms. Young was first introduced to music at the age of two when her parents took her to the New York Philharmonic’s Young People’s Concerts led by Leonard Bernstein. Today, she is the host of the Philharmonic’s popular Very Young Peoples Concerts, intimate chamber music concerts where she has tap-danced, played drums, ridden a scooter around the stage, and even sung Gilbert & Sullivan. Her philosophy is less to educate than, as she puts it, “to make the audiences have so much fun they want to come back!”

Learn more about Rebecca Young

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Doug Fitch

Director

Doug Fitch

Director

Doug Fitch

Director

Visual artist, designer, and director Doug Fitch’s Giants Are Small productions for Alan Gilbert and the New York Philharmonic include Ligeti’s Le Grand Macabre (cited as the top opera of 2010 by The New York Times, New York magazine, and Time Out New York), Janáček’s The Cunning Little Vixen (2011, New York magazine’s “Best Classical Event of the Year”), A Dancer’s Dream: Two Works by Stravinsky (2013, later screened in movie theaters worldwide); and HK Gruber’s Gloria – A Pig Tale (2014, with forces from The Juilliard School as part of the NY PHIL BIENNIAL). This fall Mr. Fitch was the inaugural WBFO visiting artist at SUNY, where he created an opera of images, How Did We...? In 2013 he directed and performed in the premiere of Matthew Suttor’s musical setting of Blaise Cendrar’s poem La Prose du Transsibérien et de la Petite Jehanne de France with the Taos Chamber Music Group. He has created productions for Los Angeles Opera, Los Angeles Philharmonic, and Santa Fe Opera, and directed projects for Canada’s National Arts Centre, Royal Stockholm Philharmonic Orchestra, and Tanglewood (Elliot Carter’s What Next?, screened at The Museum of Modern Art). Doug Fitch’s creative life began with his family’s touring puppet theater. While studying visual arts at Harvard University, he collaborated with director Peter Sellars, including on of Wagner’s Der Ring des Nibelungen. He also studied cooking at Paris’s La Varenne and design at Institut d’Architecture et d’Etudes Urbaines in Strasbourg, France. He emerged as an architectural designer in the 1980s, and collaborated with Mimi Oka on edible art installations called Orphic Feasts, leading to their book, Orphic Fodder. Other projects have included Robert Wilson’s Civil Wars (at the American Repertory Theatre) and Jim Henson of The Muppets (in England). In co-production with Universal Music and Deutsche Grammophon, Mr. Fitch, Edouard Getaz, and Frederic Gumy are developing Peter+Wolf in Hollywood for an iPad app, CD, digital album, and live show.

Learn more about Doug Fitch

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