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CYO

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Calendar

Philharmonic Ensembles at Merkin Concert Hall

Location

Merkin Concert Hall

Directions
Duration

1 hour & 27 minutes

Date & Times

3

Dec, 2017

Sunday, 3:00 PM

Event Info

Up close and personal.
An Ensembles concert provides an intimate connection between musician and audience. Hear the individual talents that make up the Orchestra. Experience the passion and personality of the performers. And see how a small setting can make for a huge musical event.

Tickets
To order subscriptions and single tickets click here, visit the Merkin Concert Hall Box Office at 129 W. 67th Street between Broadway & Amsterdam, or call (212) 501-3330.

Program To Include

Klein

String Trio

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Beethoven

Octet for Winds, Op. 103

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Shostakovich

Piano Quintet

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Artists

Robert Botti

Oboe

Robert Botti

Oboe

Robert Botti

Oboe

Oboist Robert Botti (The Lizabeth and Frank Newman Chair) joined the New York Philharmonic in 1992, having been principal oboe of the New York City Opera Orchestra. He has appeared as soloist with the New York Symphonic Ensemble and performed in the Grand Teton, Bach Stony Brook, and Music from Colorado festivals. He has collaborated and recorded with Gunther Schuller and Wynton Marsalis as a guest artist with Jazz at Lincoln Center, and is a member of the Sylvan Winds, with whom he has given many premieres. He can be heard on recordings with the Philharmonic’s Principal Bassoon Judith LeClair, Sylvan Winds, Philharmonia Virtuosi, New York Kammermusiker, Amadeus Ensemble, and Harmonie Ensemble; he is featured on the premiere recording of Arnold Sturm’s Suite for Oboe and Piano. Mr. Botti holds bachelor’s and master’s degrees from The Juilliard School. He is on the faculty of the Manhattan School of Music, New York University, and SUNY–Purchase, and has given master classes at Yale, Princeton, and Indiana universities.

Learn more about Robert Botti

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Richard Deane

Horn

Richard Deane

Horn

Richard Deane

Horn

Richard Deane joined the New York Philharmonic as Associate Principal Horn in September 2014; he currently serves as Acting Principal Horn. Previously, he served as third horn of the Atlanta Symphony Orchestra since 1987, participating in more than 80 recordings, including 20 Grammy Award winners, for Telarc International. He also performed with the Atlanta Chamber Players and was a member of the Atlanta Symphony Brass Quintet, with which he toured Norway as part of the Olympic cultural exchange between Lillehammer and Atlanta. Mr. Deane has also served as principal horn with the Colorado Philharmonic and the Concerto Soloists of Philadelphia, and in 1987 he earned first prize in the American Horn Competition.

In May 1999 Mr. Deane was a featured artist at the International Horn Society Convention held at the University of Georgia in Athens. In addition to teaching master classes at The Juilliard School, Manhattan School of Music, University of Cincinnati College–Conservatory of Music, Georgia State University, Cleveland State University, and Eastern Kentucky University, he was visiting professor of horn at the University of Georgia from 2006 to 2014. He serves as principal horn of the Brevard Music Festival in North Carolina each summer. His article “The Third Horn Brahms Experience” was published in the spring 2007 edition of The Horn Call, the journal of the International Horn Society, and his first method book, The Efficient Approach: Accelerated Development for the Horn, was published by the Atlanta Brass Society Press.

A native of Richmond, Kentucky, Richard Deane began his horn studies with Stanley Lawson. He received a master of music degree from The Juilliard School, where he studied with Myron Bloom, and a bachelor of music degree, summa cum laude, from the University of Cincinnati College–Conservatory of Music, where he studied with Michael Hatfield. His other teachers have included Jerry Peel at the University of Miami and David Wakefield at the Aspen Music Festival and School.

Learn more about Richard Deane

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Arlen Fast

Bassoon, Contrabassoon

Arlen Fast

Bassoon, Contrabassoon

Arlen Fast

Bassoon, Contrabassoon

Arlen Fast joined the Philharmonic in 1996 as Bassoonist and Contrabassoonist after serving 17 seasons as second bassoonist for the San Diego Symphony and San Diego Opera. Mr. Fast earned his music degree at Wichita State University in Kansas, where he was second bassoonist of the Wichita Symphony Orchestra. While on the West Coast, he studied with Norman Herzberg, who himself had studied with the New York Philharmonic’s former second bassoonist, Simon Kovar. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy. Mr. Fast has performed on tours with the Royal Concertgebouw Orchestra and the Japan Philharmonic.

Active in chamber music as well as teaching, Mr. Fast has appeared with the New York Philharmonic's Ensembles at Merkin Concert Hall, the Orchestra's collaboration with the 92nd Street Y Chamber series, the Making Music series at Weill Recital Hall, Music from Copland House, Sunriver Music Festival, Mainly Mozart Festival in San Diego, and the Summerfest Chamber Music Festival in La Jolla, California. He has given numerous master classes and lectures, including at Juilliard and U.C.L.A., and was twice the featured guest artist at the Contrabassoon Festival in Park City, Utah.

A pioneer in instrument design, Mr. Fast has invented a new system of register keys for the contrabassoon, the most significant design change for this instrument since the 1870s. This new system greatly improves the performance and significantly extends the practical range of the instrument. His collaboration wtih the Fox Bassoon Company has produced a new, improved instrument, one of which he presently plays in the Philharmonic.

He is married to Anne Ediger, an applied linguist and author who is a professor at Hunter College of the City University of New York.

Learn more about Arlen Fast

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Pascual Martínez Forteza

Clarinet

Pascual Martínez Forteza

Clarinet

Pascual Martinez Forteza

Clarinet

A native of Mallorca, Spain, clarinetist and E-flat clarinetist Pascual Martínez Forteza joined the New York Philharmonic in 2001; he currently serves as Acting Associate Principal Clarinet, The Honey M. Kurtz Family Chair. Prior to his appointment with the Philharmonic, he held tenure with the Cincinnati Symphony Orchestra, and at age 18 he was assistant principal and later acting principal of the Baleares Symphony Orchestra in Spain. He has recently performed as guest principal clarinet with the Berlin Philharmonic under Sir Simon Rattle.

Mr. Martínez Forteza appears regularly as a soloist, recitalist, and master-class teacher at international festivals and conservatories, including the International Clarinet Festival of Chanchung (China), ClarinetFest 2009 (Porto, Portugal), Buffet Crampon Summer Clarinet Festival (Jacksonville, Florida), University of Southern California, Mannes School of Music, The Juilliard School, New Jersey Clarinet Symposium, XI Encuentro Internacional de Clarinetes de Lisboa (Portugal), Mexico Clarinet Convention, and I Latinoamerican Clarinet Congress (Lima, Peru). Past and future engagements include solo performances of Copland’s Clarinet Concerto, Mozart’s Clarinet Concerto, Weber’s Clarinet Concertos Nos.1 and 2, Krommer’s Concerto for Two Clarinets, Rossini’s Introduction, Theme and Variations for Clarinet and Orchestra, and Luigi Bassi’s Fantasy on Themes from Verdi’s Rigoletto. He frequently collaborates with Philharmonic colleagues in New York City venues such as Avery Fisher Hall, Merkin Concert Hall, and Carnegie Hall.

Since 2003 Mr. Martínez Forteza and Spanish pianist Gema Nieto have played throughout Asia, Europe, and the United States as Duo Forteza-Nieto. Together they founded the Benifaio Music Festival in Spain, where Philharmonic colleagues have joined them for a week of master classes and concerts. A decade ago Mr. Martínez Forteza founded Vent Cameristic, a wind ensemble of professional musicians from Spain. As a soloist with that ensemble, he has played every year at the Concerts d’Estiú in Valencia, Spain. In 2003 Spanish National Radio (RNE) produced a CD featuring selections from these performances. Mr. Martínez Forteza has also made recordings for radio and television in Asia, Europe, and the United States.

Pascual Martínez Forteza started playing clarinet at age ten with his father, Pascual V. Martínez, principal clarinet of the Baleares Symphony Orchestra for 30 years and teacher at the Baleares Conservatory of Music in Spain. Mr. Martínez Forteza earned his master’s degree from the Baleares and Liceo de Barcelona Music Conservatories in Spain and pursued advanced studies with Yehuda Gilad at the University of Southern California, where he won first prize in the university’s 1998 Concerto Competition.

Mr. Martínez Forteza is currently a faculty member at New York University and teaches orchestral repertoire at Manhattan School of Music. A Buffet Crampon Artist and Vandoren Artist, he plays Green Line Tosca Buffet clarinets and uses Vandoren reeds and M30D mouthpieces.

Learn more about Pascual Martínez Forteza

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Quan Ge

Violin

Quan Ge

Violin

Quen Ge

Violin

Violinist Quan Ge joined the New York Philharmonic in June 2009. She holds a bachelor's degree from The Curtis Institute of Music, where she worked with Yumi Scott, Ida Kavafian, and Jaime Laredo, and a master's degree from The Juilliard School, where she studied with David Chan. A native of Huai Nan, China, Ms. Ge was the recipient of a Fu Chen Xian Scholarship, and has won top prizes in both the China National Competition and the Jeunesses Music Competition (Romania). While a student at Curtis, she played as a substitute with The Philadelphia Orchestra. Ms. Ge is an active chamber musician and recitalist, and most recently worked with pianist Robert McDonald and the Borromeo String Quartet at the Taos School of Music in 2008.

Learn more about Quan Ge

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Alexei Yupanqui Gonzales

Cello

Alexei Yupanqui Gonzales

Cello

Gonzalez

Cello

Alexei Yupanqui Gonzales was appointed to the cello section of the New York Philharmonic in November 2012. He has served as the principal cellist of the Rhode Island Philharmonic and the Boston Lyric Opera. He has also been a member of the Boston Ballet Orchestra and has performed with the Boston Symphony, Boston Pops, A Far Cry Chamber Orchestra, Emmanuel Music under the late Craig Smith, and the Bach Ensemble with harpsichordist John Gibbons.

An avid chamber musician, Mr. Gonzales has performed in various concert venues including Jordan Hall, Isabella Stewart Gardner Museum, Seattle Town Hall, Currier Museum of Art, and the Library of Congress in Washington, D.C. He won first prize in the Coleman International Chamber Competition with the Azure Trio, and he was a recipient of the Borromeo String Quartet Artist Award. He has also taught chamber music at the New England Conservatory Preparatory School.

Mr. Gonzales was a Tanglewood Music Center Fellow for three summers, where he received the Samuel Mayes Memorial Prize and participated in the Bach Institute Seminar. He has spent other summers at the Schleswig-Holstein Music Festival, Banff, the International Music Arts Institute, and the Killington Music Festival.

Mr. Gonzales studied with Laurence Lesser and Paul Katz at the New England Conservatory of Music. The son of Peruvian and German immigrants, Mr. Gonzales was raised in Andover, Massachusetts. Currently, he lives in Manhattan with his wife, Mie, an oboist. He is an avid Bayern Munich soccer fan.

Learn more about Alexei Yupanqui Gonzales

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Peter Kenote

Viola

Peter Kenote

Viola

Peter Kenote

Viola

Peter Kenote was born in Seattle, Washington. He received his undergraduate degree from the University of Washington, and his master’s and doctorate degrees in music performance from The Juilliard School. Since 1983 he has been a member of the New York Philharmonic viola section. In February 2008 he performed Berio’s Sequenza VI for solo viola at Jazz at Lincoln Center’s Rose Theater as part of the New York Philharmonic’s Day of Berio. In the 2009–10 season he played the premieres of a new viola concerto with the South Dakota Symphony written for him by composer Neal Harnly, and Moto Perpetuo, a new work for viola and percussion ensemble by Braxton Blake. He especially enjoys performing in concert with his daughters, soprano Rebekah and mezzo-soprano Ruth.

Learn more about Peter Kenote

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Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski

Bassoon

Kim Laskowski joined the New York Philharmonic in September 2003 as Associate Principal Bassoon. Born in Brooklyn, she attended the High School of Music and Art and The Juilliard School, where she studied with Harold Goltzer, former Associate Principal Bassoon of the New York Philharmonic. While at Juilliard she won the Walter and Elsie Naumburg Award for Orchestral Excellence. She completed a master’s degree at Juilliard while playing in the National Orchestral Association, and has also participated in the Tanglewood and Spoleto festivals. Recipient of a Fulbright grant for foreign study, she attended the Conservatoire National Superieure de Paris, where she was a student of Maurice Allard. While at the Conservatoire, she toured Europe as a member of the Orchestre des Prix.

As an active player on the New York musical scene, Ms. Laskowski has appeared with ensembles such as the Orchestra of St. Luke’s, American Symphony Orchestra, and Eos Orchestra. She can be heard on numerous television, radio, and film scores, and holds two platinum records for CDs recorded with the rock group 10,000 Maniacs. As a chamber player, she has performed and recorded several CDs with Music Amici in classical, jazz, and 20th-century works for mixed ensembles.

Before joining the Philharmonic, Ms. Laskowski played second bassoon in the New York City Ballet Orchestra. She was principal bassoon of the Mostly Mozart Festival Orchestra from 1999 through 2003.

Kim Laskowski resides in Manhattan with her husband, Zaharis Kalaitzis, and her two children, Lana and Theo.

Learn more about Kim Laskowski

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Joo Young Oh

Violin

Joo Young Oh

Violin

Jooyoung Oh

Violin

Violinist Joo Young Oh joined the New York Philharmonic in November 2010. He earned an international recognition at the age of 14 when he won first prize at the 1996 Young Concert Artists International Auditions in New York. A native of Jinju, South Korea, he has made numerous solo appearances with orchestras worldwide, including the Los Angeles Philharmonic, Colorado and San Jose Symphonies, St. Petersburg and Czech Philharmonics, Hungarian Chamber Orchestra, Prague Radio Symphony, Ukraine and Poland National Symphonies, Salzburger Kammer-Philharmonie, Tacoma Symphony Orchestra, Aspen Music Festival Orchestra, Los Angeles Theater Orchestra, and Seoul Philharmonic Orchestra. He has appeared at New York's Carnegie Hall and Alice Tully Hall, Los Angeles's Walt Disney Hall and the Performing Arts Center, London's Wigmore Hall, Prague's Dvorák Hall, St. Petersburg's Grand Hall, Tokyo Opera City Concert Hall, and many others.

Mr. Oh has also performed extensively in recital throughout the United States, with appearances in Los Angeles, Chicago, Denver, Atlanta, Washington, D.C., San Francisco, and New York, in addition to cities around the world. In 2003 he made his New York debut recital at Carnegie Hall's Weill Recital Hall.

Joo Young Oh began playing the violin at age five. He has studied with the late Dorothy DeLay, Zahkar Bron, Hyo Kang, Stephen Clapp, New York Philharmonic Concertmaster Glenn Dicterow, and Lisa Kim, New York Philharmonic Associate Principal, Second Violin Group. He holds bachelor's and master's degrees from The Juilliard School, and a degree in professional studies in orchestra performance from the Manhattan School of Music.

Learn more about Joo Young Oh

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Marié Rossano

Violin

Marié Rossano

Violin

Marie Rossano

Violin

Marié Rossano joined the New York Philharmonic in May 2016. Since making her solo debut at age 11, Ms. Rossano has performed as soloist with the Seattle Symphony, Utah Symphony, Northwest Sinfonietta, and more than a dozen other orchestras in the western United States. In 2015 she performed as concertmaster of the Malaysian Philharmonic under Giancarlo Guerrero and Fabio Luisi. She has enjoyed summer engagements at the Seattle Chamber Music Society Summer Festival, Strings Music Festival, Music From Angel Fire, Deer Valley Music Festival, and Methow Valley Music Festival, and has also performed at Keshet Eilon Violin Mastercourse, Verbier Festival Academy, and Starling-DeLay Symposia.

Ms. Rossano performed on the 1715 “Baron Knoop” Stradivarius violin in the 2010 PBS documentary Violin Masters: Two Gentlemen of Cremona, courtesy of the Fulton Collection. She was named First Laureate of the 2010 Stradivarius International Violin Competition and National Winner of the Music Teachers National Association 2008 Junior Strings Competition; she was also awarded the 2005 Seattle Young Artists Festival Medal and the Music of Remembrance David Tonkonogui Memorial Award in 2008.

Marié Rossano studied with Ida Kavafian and Joseph Silverstein at the Curtis Institute of Music, where she graduated in May 2016 with a bachelor’s of music and the 2016 Edward Aldwell Award for Excellence in Musical Studies, and was recognized on the Dean’s List for excellence in academics. While at Curtis, she performed in the 2015 Dean’s Honors Recitals and the 2015 Beethoven Residency with Miriam Fried and Jonathan Biss, and toured worldwide with Curtis on Tour on multiple occasions as a soloist, chamber musician (including at the 2014 Henry Kissinger Award Ceremony in Berlin), and concertmaster of the Curtis Chamber Orchestra with Roberto Díaz and Robert Spano. Ms. Rossano also performed under the baton of conductors Rossen Milanov, Yannick Nézet-Séguin, Robert Spano, and Osmo Vänska, as concertmaster of the Curtis Symphony Orchestra in 2015.

Ms. Rossano was born in Japan and raised in the Seattle area. In 2009 she founded Orcastra, a small, flexible, conductor-less string ensemble that has organized community engagement and charity concerts in the Seattle and Philadelphia areas, raising tens of thousands of dollars for tsunami victims in Japan and the impoverished in Tanzania and Guatemala.

Learn more about Marié Rossano

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R. Allen Spanjer

Horn

R. Allen Spanjer

Horn

R. Allen Spanjer

Horn

R. Allen Spanjer joined the New York Philharmonic as Second Horn, The Rosalind Miranda Chair, in February 1993. His appearances with the Orchestra as a featured soloist have included performances of Schumann’s Konzertstück for Four Horns in 1995 and 2001, as well as on the Philharmonic’s 1996 European Festivals Tour and 2001 Latin American Tour, conducted by then Music Director Kurt Masur. He was also featured in 1996 in Vivaldi’s Concerto for Two Horns with Principal Horn Philip Myers, also conducted by Mr. Masur.

Prior to joining the Philharmonic, Mr. Spanjer was a full-time freelance musician in New York City, performing in a broad range of classical and commercial settings. During this time he was also a frequent substitute with the New York Philharmonic, as well as with the Pittsburgh Symphony Orchestra, and he spent one season as Second Horn of the Orquesta Filarmonica de la UNAM in Mexico.

A Georgia native, R. Allen Spanjer began horn lessons at age 13. He was a pupil of Norman Schweikert at the Interlochen Arts Academy and later studied with former Philharmonic hornist Ranier De Intinis at The Juilliard School. He also studied at the Brevard Music Center, Aspen Music Festival with Philip Farkas, SUNY Purchase with Paul Ingraham, Waterloo Music Festival with Martin Smith, Tanglewood Festival with Harry Shapiro, and privately in New York City with Carmine Caruso.

Mr. Spanjer maintains as active teaching studio, and is frequently a guest performer and teacher at music schools around the United States. In addition to his New York Philharmonic work and teaching horn, he is a certified instructor of the Alexander Technique, having graduated from the American Center for the Alexander Technique in New York City in 1981. He is on faculty at the Manhattan School of Music and frequently performs as a chamber musician. He has written for The Horn Call, the journal of the International Horn Society. In addition, he was featured at the 1999 Symposium of the International Horn Society, as well as the 2000 and 2001 Northeast Horn Workshops.

Learn more about R. Allen Spanjer

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Sherry Sylar

Oboe

Sherry Sylar

Oboe

Sherry Sylar

Oboe

Sherry Sylar is Associate Principal Oboe of the New York Philharmonic, a position she has held since joining the orchestra in 1984. She was the Orchestra’s Acting Principal Oboe during the 2005–06 season and has also served as guest principal oboe for other major orchestras, including the Chicago Symphony Orchestra (in December 2015, led by Riccardo Muti), Boston Symphony Orchestra (in its 2001 tour, led by Bernard Haitink), the Orchestre Philharmonique de Radio France (for its 2003 Carnegie Hall debut, conducted by Myung-Whun Chung), the Orpheus Chamber Orchestra (in its 2007 American tour), and the St. Louis Symphony. Prior to joining the New York Philharmonic she was a member of the Louisville Orchestra. She was among the select group of Philharmonic musicians who joined the orchestra that Leonard Bernstein conducted in the historic Freedom Concert at the falling of the Berlin Wall in 1989.

As a featured soloist with the New York Philharmonic, she has performed Haydn’s Sinfonia Concertante in B-flat major, conducted by Jeffrey Kahane, and Bach’s Concerto for Violin and Oboe, with the Orchestra’s Principal Associate Concertmaster Sheryl Staples, conducted by Kent Nagano. In 1989 she was soloist in the Orchestra’s performances and recording of Handel’s Oboe Concerto in G minor, Zubin Mehta conducting. She also serves as the New York Philharmonic’s oboe d’amore player, and she earned praise from The New York Times for her solos on that instrument during the orchestra’s 2013 The Bach Variations: A Philharmonic Festival. In March 2016 she performed the World Premiere of Pablo Furman’s Concerto for Oboe and Strings with the San Jose Chamber Orchestra.

An avid performer of chamber music, she appears often in the concerts of the New York Philharmonic Ensembles and has participated in the Aspen and Grand Teton Music Festivals. She played Luciano Berio’s Sequenza VIIa for solo oboe at Jazz at Lincoln Center’s Rose Theater as part of the New York Philharmonic’s celebration of the late composer in 2008. She is also a member of the Philharmonic Quintet of New York, which was formed in 2001 to give concerts for workers in the World Trade Center area following the disaster of 9/11. The quintet has gone on to give master classes and recitals worldwide and is preparing its first CD.

Ms. Sylar gives master classes for oboists internationally and was invited to China as a judge for the Beijing National Orchestra’s first-ever auditions. A native of Chattanooga, Tennessee, she earned her bachelor’s degree at Indiana University and her master’s degree from Northwestern University. She formerly taught at the University of Evansville in Indiana and since 2005 has served on the oboe faculty of Mannes College The New School for Music in New York City. Her new CD, Oboe Dolce, includes solo oboe and chamber music featuring Principal Bassoon Judith LeClair, Principal Viola Cynthia Phelps, Harriet Wingreen, Jonathan Feldman, Yi Fang Wang, and Norman Weiss. 

Learn more about Sherry Sylar

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Qiang Tu

Cello

Qiang Tu

Cello

Qiang Tu

Cello

Chinese-born cellist Qiang Tu enjoys a multi-faceted career as a performer, teacher, and advocate for classical music. Now in his third decade as a member of the New York Philharmonic, he has also concertized as a soloist, recitalist, and chamber musician in Australia, Belgium, China, France, Germany, Italy, Japan, South Korea, Switzerland, Taiwan, and the United Kingdom. In the United States he has performed at major venues in New York, Chicago, Los Angeles, St. Louis, Honolulu, and Princeton. He has shared the stage with numerous distinguished artists including pianists Garrick Ohlsson, Jean-Yves Thibaudet, and Lukas Foss; former New York Philharmonic Concertmaster Glenn Dicterow; and former Principal Clarinet Stanley Drucker. As a recording artist, Mr. Tu has released multiple solo albums on the China Record Corporation label and chamber music recordings on the Bridge Records, Cala Records, and EMI labels. A dedicated teacher, he is a member of the orchestral performance faculty at the Manhattan School of Music; early in his career he taught at the Beijing Central Conservatory.

Qiang Tu was raised in a musical family and began cello studies with his father, Zeguang Tu. He holds a bachelor of arts degree from Beijing Central Conservatory and a master of music degree from Rutgers University. He is an alumnus of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy. His major cello teachers have included Bernard Greenhouse, Zara Nelsova, and Paul Tortelier.

When not at work Mr. Tu is a gourmet chef and enjoys the study of rare Chinese art.

Learn more about Qiang Tu

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William Wolfram

Piano

William Wolfram

Piano

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Rebecca Young

Viola

Rebecca Young

Viola

Rebecca Young

Viola

Rebecca Young joined the New York Philharmonic in 1986 as its youngest member. In 1991 she won the position of Associate Principal Viola. Two months later she was named principal viola of the Boston Symphony Orchestra. After spending the 1992–93 season in Boston and two summers at Tanglewood, she ultimately decided to return to her family in New York, resuming her Associate Principal position with the Philharmonic in September 1994. She can currently be seen leading the viola section of the All-Star Orchestra, a popular televised educational series about classical music.

An avid chamber musician, Ms. Young has performed with many renowned groups, including the Boston Chamber Music Society, Boston Symphony Chamber Players, New York Philharmonic Ensembles, and The Chamber Music Society of Lincoln Center. She can be heard in a recording of Schubert’s Trout Quintet with cellist Yo-Yo Ma, pianist Emanuel Ax, violinist Pamela Frank, and bass player Edgar Meyer on the Sony Classical label.

In the spring of 1999 Ms. Young joined Philharmonic Principal Viola Cynthia Phelps in the World Premiere of Sofia Gubaidulina’s Two Paths: Music for Two Solo Violas and Symphony Orchestra with the Philharmonic. The work was commissioned for them by Tomoko Masur, wife of Philharmonic Music Director Emeritus Kurt Masur and herself a former violist. The two performed it at Avery Fisher Hall, in Washington, D.C., and again during the Orchestra’s subsequent tour of the Canary Islands, Spain, and Portugal, as well as the Europe 2000 Tour, and again in April 2011, at Avery Fisher Hall. Ms. Young is a graduate of The Juilliard School.

Ms. Young was first introduced to music at the age of two when her parents took her to the New York Philharmonic’s Young People’s Concerts led by Leonard Bernstein. Today, she is the host of the Philharmonic’s popular Very Young Peoples Concerts, intimate chamber music concerts where she has tap-danced, played drums, ridden a scooter around the stage, and even sung Gilbert & Sullivan. Her philosophy is less to educate than, as she puts it, “to make the audiences have so much fun they want to come back!”

Learn more about Rebecca Young

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Amy Zoloto

Clarinet, Bass Clarinet

Amy Zoloto

Clarinet, Bass Clarinet

Amy Zoloto

Clarinet, Bass Clarinet

Bass clarinetist Amy Zoloto joined the New York Philharmonic in June 2016. Previously, she was the bass clarinet / utility clarinet of the Toronto Symphony Orchestra (2014–16), played as a substitute with the New York Philharmonic (2009–14), and was a member of the Jacksonville Symphony Orchestra.

Amy Zoloto has performed and toured with The Philadelphia Orchestra, The Metropolitan Opera, New York City Opera, Mariinsky Theatre Orchestra, and American Symphony Orchestra. She has participated in the Bard Music Festival, Colorado Music Festival, and Pacific Music Festival in Sapporo, Japan.

As a chamber musician, Ms. Zoloto has appeared in New York Philharmonic Ensembles chamber series, was a member of the Sylvan Winds, and toured Europe with the Jeunesse Musicale Wind Quintet. As a teacher, she has conducted master classes at the Manhattan School of Music, coached the New York Youth Symphony, and was an adjunct professor at University of Florida.

A Chicago native, Ms. Zoloto is a graduate of DePaul University, where she studied with Larry Combs, retired principal clarinet of the Chicago Symphony Orchestra, and performed for two years with the Civic Orchestra of Chicago. She completed further studies with Frank Kowalsky. She is a Buffet Crampon USA performing artist.

Learn more about Amy Zoloto

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Special Thanks

The New York Philharmonic Ensembles concerts are funded, in part, by the Zubin Mehta Fund for the Orchestra, an endowment fund created to honor the accomplishments of the Philharmonic's former Music Director, Zubin Mehta.

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